Theatron 19, No. 4. (2025)

Zöld Szamár 100 = Green Donkey 100

Magdolna Jákfalvi (University of Pécs):

Forbidden or Hidden. The Avant-Garde Gestus in Hungarian Theatre in the 1920s and in the 1970s
Árpád Kékesi Kun (Károli Gáspár University of the Reformed Church, Budapest):

Ubu Twice. István Paál’s Productions of Jarry’s Ubu Plays in Pécs and Szolnok
Gabriella Kiss (Károli Gáspár University of the Reformed Church, Budapest):

Not Heroic, but Theoretic. Thoughts on Tibor Debreczeni and a Forgotten Genre of Student Acting
Rozália Székely (University of Pécs):

Acting Presence as an Avant-Garde Experiment in Selected Performances of the Szentkirályi Theatre Workshop
Dániel Fenyő (University of Pécs):

Károly Tamkó Sirató and his Rediscovery by the Hungarian Neo-Avant-Garde
Gabriella Reuss (Pázmány Péter Catholic University, Budapest):

“A gauntlet thrown at the reader’s feet” (Otakar Zich: Aesthetics of the Dramatic Art)
Sára Sahin-Tóth (University of Pécs):

Reflections of Robert Scanlan’s Plot-bead Theatre (Robert Scanlan: Principles of Dramaturgy)
László Hevesi (University of Pécs):

Dramaturgs on the Barricades (Philippa Kelly, ed.: Diversity, Inclusion and Representation in Contemporary Dramaturgy)
Hedvig Ujvári (Pázmány Péter Catholic University, Budapest):

Genre Boundary Struggles. The Conflictual Relationship between Circus and Bourgeois Theatre in Berlin around 1900 (Mirjam Hildbrand: Theaterlobby attackiert Zirkus: Zur Wende im Kräfteverhältnis zweier Theaterformen zwischen 1869 und 1918 in Berlin)