Aktuális

Theatron 17, No. 4. (2023)

Recent Research in Hungarian Theatre History (ed. by Árpád Kékesi Kun)

Kiemelt cikkek

Ágnes Váradi (Boronkay György Technical High School, Vocational Education Centre, Vác):

Hungarian Export Plays. Foreign Success Stories of Hungarian Dramas at the Turn of the Century
Dorka Porogi (HUN-REN Research Centre for the Humanities, Institute for Literary Studies, Budapest):

“In Rome, in Paris, / in Moscow, in Berlin, in London, and in Budapest”: Antal Németh and the European Theatre
Balázs Leposa (Open Society Archives, Central European University, Budapest):

Smelter Workers in Bourgeois Overcoats: A Case Study on the Sovietization of Hungarian Drama
Anita Patonay (Perspektíva Drama Community, Budapest):

The Development of Children’s and Youth Theatre in Hungary: the Path of Institutionalization and Beyond the Professional Sphere (1949–1989/1992)
Tamás Oláh (Academy of Arts Novi Sad):

The Self-Definitions of the Hungarian Minority in Vojvodina in the Performances of the Tanyaszínház (Grange Theatre)
Árpád Kékesi Kun (Károli Gáspár University of the Reformed Church, Budapest):

The Danse Macabre of “Democratic Dictatorship”: Sławomir Mrožek’s Tango in State-Socialist Hungary
Magdolna Jákfalvi (University of Pécs):

The Urban Theatre of the Present. The 40 Years of the Katona József Theatre
Ágnes Major (HUN-REN Research Centre for the Humanities, Institute for Literary Studies, Budapest):

The Afterlife of an Unfinished Musical Play: Géza Csáth’s and Tamás Fodor’s Zách Klára
Gabriella Kiss (Károli Gáspár University of the Reformed Church, Budapest):

Get involved! Krétakör: Crisis, Part III – The Priestess, 2011
Imola Nagy (University of Arts Targu-Mures):

The Transylvanian Postdramatic Theatre of Radu Afrim
Péter P. Müller (University of Pécs):

Dying on Stage: The Last Performance of Péter Halász

Csatolmányok

A TELJES SZÁM LETÖLTÉSE

Theatron No. 4. 2023