In this paper, I will differentiate four different types of TIE plays, based on scenes playing out between actors, and interactive segments. Then I shall seek to answer what helps the audience, from an authorial-dramaturgical perspective, to become actual participants, for the performance to become interactive.
How to cite: Theatron 15, 1. sz. (2021): 42–53.
Cím/Title (HUN): A „roncsolás” dramaturgiája, avagy nyitott történetek a TIE előadásokban
Cím/Title (ENG): The Dramaturgy of ‘Wrecking’, Open Stories in TIE Performances