My paper posits the theory that we can observe a hierarchical tendency in East-Central-European theatrical practice that legitimates violence as a method. Based on this theory, I examine the hierarchical methods and hierarchical structures of a theatrical infrastructure dominated by a central gaze, furthermore I analyse statements concerning method and structure, and the language they use, in order to highlight how certain hierarchical relations appear in speech, how they are written into language.
How to cite: Theatron 15, 3. sz. (2021): 174–185.
Cím/Title (HUN): A tekintet hatalma a színházi gyakorlatban
Cím/Title (ENG): The Power of the Gaze in Theatrical Practice