Elolvasom/Read:
Letöltöm/Download: (PDF, 149,29 KB)
Szerző/Author: László Peterdi Nagy
E-mail: peterdinagylaszlo37@gmail.com
Rövid életrajz/Bio:

László Peterdi Nagy (1937), theatre historian. After graduating from the University of Szeged, he lectured on 19th-century Russian literature and theatre at the University of Pécs. In 1967 he became a doctoral student at the Institute of World Literature in Moscow, where he defended his thesis on Chekhov and world theatre in 1971. His analyses of Russian literature and art were published in the journals Nagyvilág, Új Írás, Élet és Irodalom. After returning home, he was deputy head of the theatre department at the Ministry of Culture, literary advisor at the National Theatre and senior research fellow at the Hungarian Theatre Institute. Between 1979 and 1984 he headed the Hungarian Cultural Institute in Warsaw and continuously published essays in Nagyvilág, Kritika and Színház. After his retirement, he published three monographs (Chekhov’s Theatre, Meyerholds Workshop and The Russian Comedy), as well as a collection of essays (The Velvet Revolution of the Theatre). He is currently working on his DSc dissertation.

How to cite:
Theatron, Vol. 18. No. 4. (2024): 89–95.
Cím/Title (HUN): The Real Government Inspector. Gogol's comedy at the Katona József Theatre (1987–1994)
Cím/Title (ENG): The Real Government Inspector. Gogol's comedy at the Katona József Theatre (1987–1994)
Abstract:

In the 1980s, when Hungary was fighting its final and seemingly successful battle against the Soviet occupation, the best, bravest theatres were supporting this fight with high-quality performances of classical Russian dramas, which made a great impact on the culturally sensitive part of society. Indirectly, these performances revealed the reasons and goals of the national uprising in 1956. More importantly, the reason behind the failure of the “regime change” as well. They pointed out why gaining and accepting freedom is insufficient in itself. People need to “deserve” freedom. They must be able to practice freedom and transform it into a new, modern national identity. Gábor Zsámbéki’s staging of The Government Inspector in 1987 at the Katona József Theatre, Budapest grabbed the very essence of this process of historical importance under the so-called Velvet Revolution. During its 7-year run, the production became a very important factor that contributed to the country’s positive national identity to blossom.

Keywords: regime change, Gogol, The Government Inspector, Katona József Theatre, Gábor Zsámbéki