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Theatron 15, No. 4. (2021)
MA/Today - 100 Years After (ed. by András Kappanyos)
Kékesi Kun Árpád:
Szerkesztői előszó
András Kappanyos:
Foreword, Project Proposal
Irina Subotic (University of Arts, Belgrade):
The Role of Central European Avant-garde Reviews in the 1920s (Hungary, Poland, Czechoslovakia, Romania, Bulgaria and Yugoslavia)
Eperjesi Ágnes (Budapest Metropolitan University):
The Photogram as a Medium of Art and Education
Magda Dragu (Indiana University, Bloomington):
László Moholy-Nagy’s Photoplastics and Homogeneous Photomontage
Selene B. Carter (Indiana University, Bloomington):
Rudolf von Laban’s Concepts in Embodiment
Vikárius László (Bartók Archives, Budapest):
Bartók’s Hungarian Musical Avant-Gardism
David Michael Hertz (Indiana University, Bloomington):
The Great Béla Bartók: An International and Interdisciplinary Perspective
Robert McCarter (Washington University, St. Louis):
Marcel Breuer: Last of the First Moderns / First of the Last Moderns
Peter Magyar (Széchenyi Academy of Letters and Arts):
From The Bauhaus to My House: Migration of Ideas. A Personal Account
Gelencsér Gábor (Eötvös Loránd University, Budapest):
The
MA
[Today] and Tomorrow. Film Theory and Practice in the Classical and Neo-avant-garde
Kékesi Kun Árpád (Károli Gáspár University of the Reformed Church, Budapest):
Performing Agitation. László Moholy-Nagy and the 1924 Special Issue of
MA
[Today] on Music and Theater
Szolláth Dávid (Institute of Literary Studies, Center for Humanities of the Hungarian Academy of Sciences, Budapest):
Political or Aesthetical Subversion? Strategies of Avant-Garde Speaking Choirs in Interwar Hungary
Kappanyos András (Institute of Literary Studies, Center for Humanities of the Hungarian Academy of Sciences, Budapest):
Three Glorious Resumptions: Kassák’s Road to Becoming a Master
A TELJES SZÁM LETÖLTÉSE
Theatron 2021.4.
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