Theatron 18, No. 4. (2024)

Staging the Classics in State-Socialist Hungary (ed. by Árpád Kékesi Kun)

Bálint Szele (University of Pannonia, Veszprém):

Socialist Productions of As You Like It in Hungary
Magdolna Jákfalvi (University of Pécs):

Antigone’s Brothers. The Soviet Reburial
Veronika Schandl (Pázmány Péter Catholic University, Budapest):

The Wreath of Radiant Fire. The RSC’s King Lear and its Influence on Hungarian Theatre
Árpád Kékesi Kun (Károli Gáspár University of the Reformed Church, Budapest):

The Seagull that Transformed Staging Chekhov in Hungary. Gábor Székely: The Seagull, 1971
Zsófia Emma Szilágyi (University of Pécs):

Resisting Peter Weiss: A Non-Marxist Adaptation of Kafka’s The Trial for the Late 1970s
Miklós Péti (Károli Gáspár University of the Reformed Church, Budapest):

A Native American Epic on the Communist Stage: Longfellow’s The Song of Hiawatha directed by Károly Kazimir in 1978
Mónika Goda (Eötvös Loránd University, Budapest):

Géza Balogh: The Nose, State Puppet Theatre, 1979
Tamás Oláh (Academy of Arts Novi Sad):

“I live out of all order”. György Hernyák: Falstaff, Grange Theatre, 1982
László Peterdi Nagy:

The Real Government Inspector. Gogol's comedy at the Katona József Theatre (1987–1994)
Gabriella Kiss (Károli Gáspár University of the Reformed Church, Budapest):

Staging Woyzeck. Thoughts on Readings of Woyzeck for the "Age of Participation"
Mária Kurdi (University of Pécs):

British Theatre in the Age of Anxieties (Merle Tönnies and Eckart Voigts, eds: Twenty-first Century Anxieties: Dys/utopian Spaces and Contexts in Contemporary British Theatre)
Tamás Jászay (University of Szeged):

About a (not so) Small Revolution (Peter M. Boenisch, ed.: The Schaubühne Berlin under Thomas Ostermeier: Reinventing Realism)
Tamás Jászay (University of Szeged):

Present Rewritten for the Future (Milo Rau: Theatre is Democracy in Small. Art, Society, Resistance)

A TELJES SZÁM LETÖLTÉSE

Theatron No. 4. (2024)