Theatron 16, No. 4. (2022) – Theatron

Theatron 16, No. 4. (2022)

Hungarian Theatre Histor(iograph)y After WWII (ed. by Árpád Kékesi Kun)

Magdolna Jákfalvi (University of Theatre and Film Arts, Budapest):

Changes. The Rise of Theatre Studies as an Academic Discipline in Hungary
Orsolya Ring (Centre for Social Sciences, Institute for Political Science, Budapest – Eötvös Loránd University, Budapest):

The Country of Iron and Steel on Stage. Theatres and Political Propaganda in the Rákosi Era
Kornélia Deres (Eötvös Loránd University, Budapest):

Community and Invisible Work at the Szkéné Collective: Methodological Questions on Researching Amateur Theatres during the 1960s and 1970s
Tamás Jászay (University of Szeged):

Parallel Histories and Survival Strategies. The Szkéné Theatre and the MU Theatre yesterday and today
Mária Kurdi (University of Pécs):

Samuel Beckett’s Drama in Hungarian Theatre History and Criticism before 1990
Gabriella Kiss (Károli Gáspár University of the Reformed Church, Budapest):

The Perils of Creating Reality. University Stage of Szeged: Petőfi Rock, 1973
Árpád Kékesi Kun (Károli Gáspár University of the Reformed Church, Budapest):

“World Theatre in Szolnok” During the 1970s. Gábor Székely: The Drake’s Head, 1973
Péter P. Müller (University of Pécs):

Prohibition, Toleration, Bewilderment. On the Early Reception of Péter Nádas’ Play Cleaning (1977)
Enikő Sepsi (Károli Gáspár University of the Reformed Church, Budapest):

Poetic Rituality in Contemporary Hungarian Theatre. An Overview
Vera Kérchy (University of Szeged):

The Responsible Hands of Theatre. Minor and Major Forces on the Stage of Metanoia Artopédia
Veronika Schandl (Pázmány Péter Catholic University, Budapest):

“A rose by any other name”. Contemporary Hungarian Shakespeare Adaptations on Stage and in Cyberspace
Natália Pikli (Eötvös Loránd University, Budapest):

Rulership in Early Modern England: Shakespeare’s King Lear in Context (Judit Mudriczki: Shakespeare’s Art of Poesy in King Lear. An Emblematic Mirror of Governance on the Jacobean Stage)
Ádám Bethlenfalvy (Károli Gáspár University of the Reformed Church, Budapest):

How to deal with multitudes? (Mary McAvoy and Peter O’Connor, eds: The Routledge Companion to Drama in Education)
Chris Cooper:

Living Through Extremes in Process Drama (Ádám Bethlenfalvy: Living Through Extremes in Process Drama)
Tamás Jászay (University of Szeged):

East is East? (Kalina Stefanova, Marvin Carlson, eds: 20 Ground-Breaking Directors of Eastern Europe: 30 Years After the Fall of Iron Curtain)
Tamás Jászay (University of Szeged):

Shakespeare Matrix Across the Continent (Nicoleta Cinpoeş, Florence March, Paul Prescott, eds: Shakespeare on European Festival Stages)

A TELJES SZÁM LETÖLTÉSE

Theatron No. 4. 2022